ScreenWize

The scariest thing about this film is the memory that it was originally released fourteen years ago in 1993. It was a smash hit on theatrical release – both with audiences and critics - and for many years has been much loved on DVD. Now there’s a very good reason to go back to the cinema - to watch it in 3D. The original version was alive and crawling with deliciously delicate ghouls and ghosts, and already a stop-motion visual spectacle. The 3D version adds more depth and wonder without ever becoming self-consciously caught up in the technology (only once did I involuntarily duck for cover). For families who missed out on the original film, this will be a great treat.

The story opens in Halloween Town, where Jack Skellington (voice of Chris Sarandon, singing voice of Danny Elfman) has once again masterminded a hugely successful Halloween, involving the townsfolk of vampires, mutants, bats, and all creatures great and small. But Jack is bored and a little sad: he needs a new challenge and a little something to add some sparkle to his life. As he wanders the forest fighting his melancholy, he comes across a door that leads to Christmas Town. He takes a look, and is overwhelmed by the charm and warmth that he sees. He decides that he must take over Christmas in order to be a part of that cheery spirit, and he returns to mobilise the phantom spirits of his world. The only character who sees what trouble this might cause is Sally (voice of Catherine O’Hara), who is also in love with Jack. Her warnings are ignored, and Jack’s plans for Christmas proceed.

Despite the word “nightmare” in the title, this is neither a scary nor a gruesome film – it is infused with delicacy and charm, aided by some wonderful musical numbers written by Danny Elfman (best known for writing the theme tune to The Simpsons). The look of the film is dominated by Tim Burton’s ever present gothic production design and the 3D glasses turn this into translucent layers of light that creep out into the space in front of your eyes. Burton was busy making Batman Returns when this film went into production and it was directed by Henry Selick, a stop-motion specialist who went onto to direct James and The Giant Peach. His pacing and subtlety seem to always keep the younger audience in mind – they’re sure to love it.

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Filed Under: Reviews by Simon